The fast f/2.8 maximum aperture remains constant across the entire zoom range, while the minimum aperture is fixed at f/22. Capable of focusing at distances from 21 cm (at 24mm) to 38 cm (at 70mm) the RF 24-70mm lens claims ‘reduced’ focus breathing when shooting movie clips. Although quite weighty at 900 grams, it makes an ideal match for
The 1D X Mark II and EF 24-70mm f/2.8L II make a great combo for this event. 59mm f/4.5 1/250s ISO 3200. Newsong. When shooting a concert or similar event, a 70mm focal length on a full frame body is going to frame nearly the entire stage unless you are very close. But, shooting the entire stage is not all bad.
I compared it to the Canon 24-105mm f/4 and the older Canon 24-70mm f/2.8 which had just been calibrated by CPS. The results weren’t good. The Canon 24-105mm f/4 showed a lot of barrel distortion, but was sharper wide open at f/4 than the new Canon 24-70mm f/2.8 II was at f/4. So there was definitely something wrong with this lens.
Buy Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E featuring E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/22, Six FLD Elements, Two SLD Elements, Three Aspherical Elements, Super Multi-Layer & Nano Porous Coatings, Stepping Motor AF System, Dust and Splash Resistant Construction, Rounded 11-Blade Diaphragm, Includes LH878-03 Lens Hood, With Padded Lens Case.
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